DRB96021
DRB 96021
632 Drew St
Icehouse
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; ~Cle:arwater
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Central Pemuttmg Department
I nteroffice Correspondence
TO,
FROM.
Ehzabeth M Deptula, CIty Manager . j
VIctor C Chodora, Bmldmg Adnulllstrator, Central Permitb.n~
SUBJECT Update for the Icehouse
CC: Kathy S. RIce, Deputy CIty Manager
Scott Shuford, Central PermIttmg Duector
........Don McCarty, Semor Planner
DATE. February 4, 1997
Mr. Robert Schoeller and Mr. John Sykes (project archItect), gave a presentatIOn to
the DesIgn ReVIew Board on January 14, 1997 The Board reViewed the plans
submItted and Informed Mr Schoeller that they would be willmg to approve the
plans for a penod of one year Mr Schoeller Withdrew hIS request for approval,
stating he wasn't ready to proceed that soon on the buildmg constructIOn He Just
wanted to make some sitework improvements
RfDfVflopmfnr
........
SCHOELLER'S PALACE
Downtown Clearwater Is
About To Get A Showplace
by Aaron R. Fodiman
THE FIRST THING
that you should
know about inter-
nationally acclaimed
artist Robert Schoeller
is that he is a genius.
The second thing is that geniuses are
very difficult people. They expect
everyone to be as smart as they are and
they forget they are geniuses while the
rest of us are only human. This having
been said, let's proceed to a transfor-
mation that is now occurring on Drew
Street near Myrtle Avenue in downtown
Clearwater.
About three years ago, Robert, our
genius, saw an abandoned ice house
for sale. He bought it and began
drawing plans to convert it into a
studio for him to work in and a galler)'
in which to display his art. That sounds
simple enough doesn't it? But next,
he bought the adjoining property that
had once housed the fire department
You are
bound to be
impressed with
Robert's attention
to detail
was to dismantle all
the ice-making equip-
ment and remove it
from the double-
walled brick building.
To Robert it sounded
easy, but it took over two years for
workmen to painstakingly remove the
equipment piece by piece, so as not to
damage the building.
Then there was a fire that destroyed
some parts of the building and subse-
quently inspired Robert to install huge
wooden beams for a wooden ceiling in
these rooms. Why, in this day and age,
wood beams, when steel is so much
easier you may ask? Now remember, I
told you Robert is a genius. He had
decided to reconstruct this building in
the style of a Venetian palace and that
means wood beams to support a lVood
ceiling that would give his newly de-
signed property the look and feel of
one of Europe's great landmarks. To
of Clearwater and had subsequently
been converted into the office and
workshop of a prospering air condi-
tioning company. Robert saw that by
acquiring this adjoining property he
would have a large open area that he
could convert into formal gardens and
pools to enhance his studio.
One of the first chores to be completed
JANUARY/FEBRUARY 1995
TAMPA BAY MAGAZINE
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II
Top: Robert's rendering of the east side of the "Ice House" and adjoining area.
Above: Austrian craftsmen, Franz Vogt and Martin Waibel. shown with two of
the stone windows individually built by them to Robert's specifications.
RfDfVflopmfnT
Robert, fantasy and beauty are every-
\vhere. He sees that which most never
even dream of
As you wander through the
different levels of this once
single-purpose building, Robert
speaks of open are,1S, bridges, descend-
ing steps and architectural finishes.
In his mind the image has formed.
Now he tries to express it for those who
must complete the task.
Wanting stone windows that had to
be made on location and to his exact
specifications, he found two Austrians
like himself who understood the skills
needed to do in concrete what stone-
masons centuries ago had done in their
homeland. The design of the windows
is intricate. They will be three-dimen-
sional and are created to resemble
ancient castles, yet still maintain a
contemporary flair. They wiII never need
painting-they are intended, like the
brick with whidl the building was built,
to age naturally, reflecting the passage
of time and weather upon them.
Completion of Robert's studio palace
is expected within a year, when he will
open it to public view. He wants it to
be an attraction, which will draw peo-
ple in to discover its charms and secrets.
All who pass by are sure to inquire,
"What is that?" All who know are sure
to reply, "That is Robert Schoeller's
Palace, you've got to go in and see it:'
Robert takes pride and joy in the
beauty of people and their surround-
ings. To fill this wonder of architecture
with the creations of talented artisans
from the last century, he already has
brought unique antique furniture to
this country from his native land.
As you move through this homage to
structural beauty, you are bound to be
impressed \vith Robert's attention to
detail and his unbidding demand for
perfection. He only wants from others
that which he gives himself. Possibly a
man bom out of time, he still feels the
need to create an environment that re-
flects the majesty and integrity of his art.
When one looks at a portrait by
Schoeller you see, not just the subject,
but Robert's view of them as well. He is
not a camera; he must always add his
own perspective to the canvas and the
soul of those whom he paints upon it.
Likewise, when the building on Drew
Street is completed, Robert Schoeller will
have made a statement about himself
and the world he lives in and Clearwater
will have an attraction that will draw
hundreds to stand in awe of the talent
and genius of Robert Schoeller. m
Reprinted from the JanuarylFebruary 1995 issue of Tampa Bay Magazine
;~
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Julianna in her Garden, Atlanta, Georgia
Oil On Linen, 34 x 48
ROBERT
SCHOELLER
:?h:nR/ .--4-d fllJOU/UUt.Y f!lJy f(donHIU:.uWIl/
_ _ _ _ _ _ _ ---------l
Mrs. Mark ). Bloom & Children, Lmce & Brooke
Nashville, T cnnC5sce
oil On linen
48 x 60
ROBERT
SCHOELLER
/$i#uY ~:!fJ~ f!lJy rt6~
---I
I
GROVES BROS.
rlNf r~~~I~~
DOMESTIC REPRESENTATIVES
ATLANTA: Travis & CO. BOSTON: Davison's CHICAGO: Kirk-Brummel DALLAS: George Cameron Nash
DANIA: Bill Nessen, Inc. DENVER: Kneedler-Fauchere HOUSTON: George Cameron Nash
LOS ANGELES: Kneedler-Fauchere NEW YORK: Christopher Norman, Inc.
PHILADELPHIA: Matches, Inc. PHOENIX: McNamara & Hirschman SAN DIEGO: Kneedler-Fauchere
SAN FRANCISCO: Kneedler-Fauchere SEATTLE: Collins-Draheim WASHINGTON, D.C.: Richard Russell Associates
INTERNATIONAL REPRESENTATIVES
EUROPE: Charles Koenig Associates JOHANNESBURG: St. Leger & Viney MONTREAL: Primavera
TORONTO: Primavera VANCOUVER: William Switzer
..
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TO THE TRADE IN THE u.S. 1-800.747-6837, IN EUROPE 44.628.662700
P.O. BOX 111 . FORT WORTH, TX 76101 USA
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