CLEARWATER PUBLIC LIBRARY SYSTEM - MAIN LIBRARY
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May 7, 1998
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Members of The City Commission
City of Clearwater
112 North Osceola Avenue
Clearwater, FL 34615
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Dear Commissioners:
Harvard Jolly Clees Toppe Architects and Robert A.M. Stern Architects are delighted to have
been selected as your first choice for the new Clearwater Library project!
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Our team is comprised of two firms who represent the best and brightest in library design:
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.:. The oldest and largest Tampa Bay architectural design firm with over 60 professionals, over
35 libraries designed, and 60 years of experience in award-winning Florida architecture
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.:. A renowned New York design firm with over 135 professionals, an international reputation,
over 29 years of experience, numerous library and fine arts projects, and significant Florida
design expertise
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Both firms are specialists in urban planning and master planning of large municipal projects in
addition to the design of libraries, cultural centers, fine arts and museum facilities. This enables
the City of Clearwater to have the utmost confidence that the Harvard Jolly Clees Toppe/Robert
A.M. Stern team is the most qualified to design your world-class signature library - the first
step towards realization of the One City... One Future dream for Clearwater.
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We would appreciate your vote of confidence by confirming our selection as your new library
design team!
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Jonathan R. Toppe, AlA, NCARB
Executive Vice President
Harvard Jolly Clees Toppe Architects, P.A.
Robert A.M. Stern, FAIA
Senior Partner
Robert A.M. Stern Architects
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FIRM PROFilE
Harvard Jolly Clees Toppe Architects, P.A., AlA
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Legal Name:
Harvard Jolly Clees Toppe Architects, P.A.
60
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Years in Business:
Officers:
Blanchard E. Jolly, AlA, Chairman of the Board
William B. Harvard, Jr., AlA, President
R. John Clees, AlA, Executive Vice President/Secretary
Jonathan R. Toppe, AlA, Executive Vice President/Treasurer
James A. Shawhan, AlA, Senior Vice President
Steven M. Heiser, AlA, Senior Vice President
Jeffrey E. Cobble, AlA, Senior Vice President
John A. McCormac, AlA, Vice President
Michael K. Hart, AlA, Vice President
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Staff Size:
60
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By Classification:
21 Registered Architects
13 Graduate Architects
2 Registered Interior Designers
2 Construction Administrators
9 AutoCAD/Technical Support
13 Administrative Support
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Harvard Jolly Clees Toppe Architects, P.A. was founded in 1938 by William B. Harvard, Sr. Our
firm is the Tampa Bay Area's oldest and largest architectural firm and among the five largest
in Florida. Fifteen Registered Architects and Interior Designers are stockholders. The
professional staff consists of Registered Architects, Graduate Architects, Interior Designers,
Field Representatives and a Professional Support Staff for a total of 60 members.
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The firm's areas of expertise are library, office, educational, healthcare, fine arts, museums,
theatres, exhibition design, public, governmental, religious, parking garage, interior design and
space planning, historic preservation, postal and criminal justice facilities. Harvard Jolly's
projects have received awards for the firm throughout its history, and two have won the
American Institute of Architects 25-Year Test of Time Award. In the past three years alone,
the firm has won 16 awards for excellence in design from the Tampa Bay Regional Planning
Council Future of The Region Awards competition.
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Harvard Jolly maintains full-service offices in St. Petersburg, Tampa, Fort Myers, Orlando and
Panama City.
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JONATHAN R. TaPPE, AlA, NeARB
Executive Vice President
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YEARS EXPERIENCE
Total Years Experience: 29
With Harvard Jolly: 18
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REGISTRA TION
Florida Registered Architect #5583
National Council of Architectural
Registration Boards #19060
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EDUCATION
Master of Arts in Architecture
University of Florida, 1971
Bachelor of Arts in Architecture
University of Florida, 1969
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PROFESSIONAL AFFILIATIONS
American Institute of Architects
Florida Association of the AlA
AlA Tampa Bay
Board of Directors, 1981-84
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CIVIC ACTIVITIES
All Children's Hospital Foundation
Development Council
Largo Cultural Center Friends of the
Arts
St. Petersburg Area Chamber of
Commerce Bd. of Governors 1990-93
Leadership Tampa Bay
Founding Board Member 1987-92
Charter Class 1988
President 1988-89
Leadership St. Petersburg
Class of 1 980
Planning Committee, 1981-91
Chairman, 1984-85
Leadership St. Petersburg Alumni
Board 1984-90
President 1988-89
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A WARDS
St. Petersburg Chamber of Commerce
Member of the Year, 1989
Who's Who - South and Southwest
University of Florida Hall of Fame
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PROFESSIONAL EXPERIENCE
Libraries
Orange County Library System, Orlando
East Orange Library Prototype
Orlando Main Library Renovation
Temple Terrace Library
Additions and Renovations to Main Library
Flagler County Library, Palm Coast
Grant Application and New Library
Central Ridge Library, Beverly Hills
Grant Application and New Library
City of Dunedin Main Library and Grant
153,000 Volumes
Bruton Memorial Library Expansion, Plant City -
95,000 Volumes
City of Gulfport Library - 70,000 Volumes
Expansion and Renovation
City of Seminole New Library and Community Center
- 80,000 Volumes
University of South Florida New Library, Sarasota
Campus - 325,000 Volumes
Azalea Joint City Library/Middle School Media
Center, St. Petersburg - 38,000 Volumes
Museums
Florida International Museum, St. Petersburg
Treasures of the Czars from the Kremlin Museum
Splendors of Ancient Egypt
Alexander the Great
Titanic: The Exhibition
St. Petersburg Historical Museum and Flight One
Pavilion, St. Petersburg
Salvador Dali Museum, Research Institute and
44,OOO-Volume Library, St. Petersburg
Museum of Fine Arts Expansion, St. Petersburg
Auditorium/Conference/Training Facilities
Faith United Presbyterian Church, Seminole
Education and Fellowship Hall
St. Joseph's Hospital Conference Center, Tampa
700-Seat Multi-Purpose Meeting Facility with Full
AN Services
All Children's Hospital Education/Conference Center,
St. Petersburg
500-Seat Multi-Purpose Facility with Full AN
Services
Caples Fine Arts Center, USF Sarasota Campus
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WARD J. FRISZOLOWSKI, R.A.
Vice President
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YEARS EXPERIENCE
Total Years Experience: 17
With Harvard Jolly: 10
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REGISTRATION
Florida Registered Architect # 13140
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EDUCATION
Associate in Applied Science/
Architecture, State University of New
York at Farmingdale, 1980
Bachelor of Arts in Architecture,
University of Texas at Austin, 1987
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PROFESSIONAL AFFILIATIONS
President of the AlA Tampa Bay, St.
Petersburg Section, 1992
Vice President of the Florida Central
Chapter, AlA, St. Petersburg Section,
1991
Associate Director of the Florida Central
Chapter, AlA, St. Petersburg Section,
1990
Chairman of the Aesthetic and Historic
Review Board, City of St. Petersburg
Beach, 1992-93
City Commissioner, City of St. Pete
Beach, 1994-95
Vice Mayor, City of St. Pete Beach,
1995-Present
Member, Tampa Bay Regional
Planning Council
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PROFESSIONAL EXPERIENCE
Orange County Library System, Orlando
Orlando Main Library Expansion
East Orange Library Prototype
New Tampa Regional Library, Tampa
New Facility - 100,000 Volumes
City of Temple Terrace
Additions and Renovations to Main
Library
Flagler County Library, Palm Coast
Grant and New Library
Central Ridge Library, Beverly Hills
Grant, Schematic Design and Building
Design
80,000 Volumes
Carnegie Library/Mirror Lake, St.
Petersburg
Historical Restoration/Addition -
60,000 Volumes
City of Dunedin Main Library and Grant
153,000 Volumes
Bruton Memorial Library Expansion and
Renovation, Plant City
95,000 Volumes
City of Gulfport Library Expansion &
Renovation
70,000 Volumes
St. Petersburg Beach Library
50,000 Volumes {Pro Bono Study}
Seminole Library and Community Center
80,000-Volume New Library
BOR/USF/USGS Getting Building, St.
Petersburg
Addition to USGS Headquarters
Pinellas Co. School Board Admin.
Building, Largo
USF Natural Sciences Building Expansion,
Sarasota
City of New Port Richey Police
Headquarters
New Facility, Needs Assessment and
Site
Selection, Building Program and Design
City of Gulfport Municipal Complex and
Police Headquarters
Feasibility Study, Site Selection, Needs
Assessment, Building Programming,
Master Plan and Building Design of
New 16,000 SF Facility
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LIBRARY DESIGN EXPERIENCE
Harvard Jolly Clees Toppe Architects, P.A.
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Okeechobee County Library, Okeechobee
New 15,500 SF Headquarters Library for
County Library System - 2000
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City of Pinellas Park Public Library
State Grant Application and Library
Expansion - 2000
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Orange County Library System, Orlando
.:. New Branch Library Prototype for 5
Sites - 1999
.:. East Orange Branch Library
.:. Orlando Main Library Renovation
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Flagler County Library, Palm Coast
State Grant Application and New 30,000
SF Facility - 1999
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City of Temple Terrace Public Library
20,000 SF of Additions and Renovations
to Main Library - 1998
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John Hopkins Magnet Performing Arts
Middle School Library and Media Center,
St. Petersburg
School Board of Pinellas County
16,000 Volumes - 1998
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New Tampa Regional Library, Tampa
New 80,000-Volume Regional Library -
1997
Winner of 1997 Tampa Bay Regional
Planning Council Honorable Mention
Future of the Region A ward in
Development Category
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lake Howell High School Library and
Media Center, Winter Springs
School Board of Seminole County
24,000 Volumes - 1997
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Mirror lake Public Library Restoration and
Addition, St. Petersburg
Historic Restoration and Expansion - 1997
40,000-Volume Addition - 1955
Winner of 1997 Preservation Award from
the American Institute Of Architects
Pinel/as Section, Tampa Bay Chapter and
St. Petersburg Preservation, Inc
Winner of 1997 Tampa Bay Regional
Planning Council 2nd Place Meritorious
Future of the Region A ward in
Development Category
Teague Middle School Library and Media
Center, Altamonte Springs
School Board of Seminole County
16,000 Volumes - 1997
Carillon Elementary School, Oviedo
School Board of Seminole County
10,000 Volumes - 1997
City of Dunedin Main Library, Dunedin
State Grant Application and New
153,000-Volume Facility - 1996
Citrus County Central Ridge Library,
Beverly Hills
State Grant Application and New 80,000-
Volume Facility - 1995
City of St. Pete Beach Library, St. Pete
Beach
Library Master Planning and Interior
Renovation - 1995
City of Gulfport Library, Gulfport
Renovation and Expansion of 70,000-
Volume Facility - 1994
Winner of 1995 Tampa Bay Regional
Planning Council Future of the Region
Meritorious A ward in Development
Category
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LIBRARY DESIGN EXPERIENCE
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City of Plant City Library, Plant City
Renovation and Expansion of 95,000-
Volume Bruton Memorial Library - 1994
Winner of 1994 Tampa Bay Regional
Planning Council Future of the Region
Meritorious A ward in Development
Category
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City of St. Petersburg Public Library, St.
Petersburg
New 280,000-Volume Facility - 1964
Library Renovations - 1989
Library Additions and Renovations - 1994
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Carwise Middle School Library and Media
Center, Palm Harbor
School Board of Pinellas County
16,000 Volumes - 1993
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City of Seminole Community Library,
Seminole
New 80,000-Volume Facility and
Community Room - 1992
Winner of the 1992 Tampa Bay Regional
Planning Council Future of the Region
A wards Meritorious Design A ward for
Outstanding Achievement in Development
Category
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Tommy Smith Elementary School Library
and Media Center, Panama City
School Board of Bay County - 1992
10,000 Volumes
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Indian Trails Middle School Library and
Media Center, Winter Springs
School Board of Seminole County - 1992
16,000 Volumes
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Campbell Junior High School Library and
Additions, Daytona Beach
School Board of Volusia County - 1989
22,000 Volumes
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Port Orange Elementary School Media
Center, Port Orange
School Board of Volusia County - 1989
10,000 Volumes
Westside Elementary School Media
Center, Daytona Beach
School Board of Volusia County - 1989
11,000 Volumes
Surfside Middle School Media Center,
Panama City Beach
School Board of Bay County - 1989
16,000 Volumes
Salvador Dali Research Institute & Library,
St. Petersburg
4,000 Volumes, Phase 1- 1981
10,000 Volumes, Phase II - 1983
30,000 Volumes, Phase III - 1988
Brown Middle School Media Center,
Panama City
School Board of Bay County - 1988
16,000 Volumes
Azalea Branch Public Library and Joint
Use Media Center, St. Petersburg
Jointly Owned and Operated by City of
St. Petersburg/Pinellas County School
Board - 1987
38,000 Volumes
Winner of the 1989 Honorable Mention
A ward in Exhibition of School
Architecture from the American
Association Of School Administrators and
The American Institute Of Architects,
National A wards
Wilson Junior High School Media Center,
Tampa
School Board of Hillsborough County -
1986
4,000 Volumes
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LIBRARY DESIGN EXPERIENCE
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Spring Hill Elementary Media Center,
Spring Hill
School Board of Hernando County - 1986
2,000 Volumes
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University of South Florida Sarasota
Campus Library, Sarasota
State of Florida Board of Regents - 1986
New 325,000-Volume Facility
Winner of the 1987 Design A ward from
the American Institute Of Architects
Central Chapter, Honor A wards
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Osceola Middle School Library, Seminole
School Board of Pinellas County - 1985
15,000 Volumes
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Palm Harbor Middle School Library, Palm
Harbor
School Board of Pinellas County -1983
15,000 Volumes
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Tarpon Springs Middle School Library,
Tarpon Springs
School Board of Pinellas County - 1981
15,000 Volumes
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Temple Terrace Elementary Media Center,
Temple Terrace
School Board of Hillsborough County -
1980
11,000 Volumes
Dickenson Elementary Media Center,
Tampa
School Board of Hillsborough County -
1978
10,000 Volumes
Stetson University - College of Law
Library, Gulfport
Stetson University - 1973
120,000 Volumes
Madeira Beach Middle School Media
Center, Madeira Beach
School Board of Pinellas County - 1970
12,000 Volumes
Pinellas Park Public Library, Pinellas Park
City of Pinellas Park - 1969
43,000 Volumes
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CAMPUS AND FACILITY MASTER PLANNING
Harvard Jolly Clees Tappe Architects, P.A.
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Government
City of Gulfport Government Complex
New Facility Master Plan
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City of Lake Wales Police Department
Headquarters
New Facility Master Plan
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City of Largo - Largo Central Park
Master Plan of New City Park
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City of Largo - Largo Cultural Center
New Facility Master Plan
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City of New Port Richey Police
Headquarters
New Facility Master Plan
City of St. Pete Beach City Hall Complex
New Facility Master Plan
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City of South Pasadena City Hall Complex
New Facility Master Plan
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Education
Lake Howell High School, Winter Springs
Master Plan, Additions and Renovations
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Progress Village Middle School. Tampa
Master Plan for Conversion of Elementary
to Middle School
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Springstead High School, Spring Hill
Master Plan for Expansion
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Rock Lake Middle School, Longwood
Master Plan for Expansion
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DeLand High School, DeLand
Master Plan for Expansion and Renovation
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Florida College of Osteopathic Medicine,
Gulfport
Master Plan for New Campus
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Healthcare
Dade City Hospital. Dade City
Hospital Master Plan
East Cooper Medical Center, Mt.
Pleasant, South Carolina
Campus and Hospital Master Plan
Fort Walton Beach Medical Center, Ft.
Walton Beach
Hospital Master Plan
Helen Ellis Memorial Hospital, Tarpon
Springs
Hospital Master Plan
Kendall Regional Medical Center, Miami
Campus and Hospital Master Plan
Lykes Memorial Hospital. Brooksville
Hospital Master Plan
Meadowcrest Hospital, New Orleans,
Louisiana
Hospital Master Plan
Munroe Regional Medical Center, Ocala
Hospital Master Plan
Northridge Medical Center, Ft.
Lauderdale
Campus Master Plan
Our Lady Of Bellefonte Hospital, Ashland,
Kentucky
Campus and Hospital Master Plan
Palm Beach Gardens Medical Center, Palm
Beach
Campus and Hospital Master Plan
Palmetto General Hospital, Hialeah
Campus and Hospital Master Plan
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CAMPUS AND FACILITY MASTER PLANNING
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Palms Of Pasadena Hospital, South
Pasadena
Campus Master Plan
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Parkway Medical Center. North Miami
Campus Master Plan
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Pembroke Pines Hospital. Pembroke
Pines
Hospital Master Plan
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Sacred Heart Hospital. Pensacola
Campus and Hospital Master Plan
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St. Anthony's Hospital. St. Petersburg
Medical Campus Master Plan
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St. Joseph's Hospital. Tampa
Campus and Hospital Master Plan
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Seven Rivers Hospital. Crystal River
Campus Hospital Master Plan
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Southwest Florida Regional Medical
Center. Ft. Myers
Hospital Master Plan
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Sun Coast Hospital. Largo
Campus and Hospital Master Plan
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Town & Country Hospital. Tampa
Campus and Hospital Master Plan
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West Boca Medical Center. Boca Raton
Hospital Master Plan
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MUSEUM/CULTURAL CENTER/FINE ARTS DESIGN EXPERIENCE
Harvard Jolly Clees Tappe Architects, P.A.
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Florida International Museum, St.
Petersburg
. Treasures of the Czars from the
Kremlin Museum/January-June 1995
Design of 80,000 SF international
exhibition center, including 22,000 SF
of changeable exhibit space, lobby, gift
shop, theatre and banquet facilities.
Exhibition of more than 200 objects
covering the 300-year reign of the
Romanov family. Objects included
precious stones, textiles, crowns,
jewelry, carriages and religious objects
in 12 galleries.
. Splendors of Ancient Egypt/January-
June 1996
Exhibition of 172 artifacts, including
sculpture, pottery and two-dimensional
art from Pre-Dynastic through Greco-
Roman period in 12 galleries.
. Alexander the Great/October 1996-
March 1997
Exhibition of 550 artifacts from 55
museums in Europe and the United
States, including gold, silver and
statues in 11 galleries.
. Titanic: The Exhibit/November 1997-
May 1998
Exhibition of more than 300 artifacts
recovered from the RMS Titanic
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Delaware International Exhibition Center,
Wilmington, Delaware
Design consultant to developers converting
an abandoned shipyard building into an
international exhibition facility.
. Nicholas and Alexandra Exhibition from
the Hermitage Museum/October 1998-
March 1999
Exhibition of more than 500 artifacts,
including jewelry, textiles, carriages,
religious and personal possessions.
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Kansas International Museum, Topeka
Treasures of the Czars from the Kremlin
Museum: Design Consultant and
Exhibition Designer of the second in a
series of international exhibits from the
Russian Kremlin. Project consists of the
conversion of existing building into a
state-of-the-art international exhibition
center including lobby, gift shop,
changeable exhibit space, and a theater.
St. Petersburg Historical Museum and
Flight One Pavilion
Renovation and expansion of existing
facility for City of St. Petersburg.
Requirements included a highly visible and
prominent display pavilion for the full-
scale replica of the Benoist airboat utilized
to establish the world's first commercial
airline in 1914.
Caples Fine Arts Center at University of
South Florida/New College, Sarasota
260 fixed-seat lecture/recital hall,
gallery/lobby and related facilities:
. Sculpture Building
. Lota Mundy Music Building
. Two-Dimensional Fine Arts
. Mildred Sainer Music and Fine Arts
Pavilion
Salvador Dali Museum, St. Petersburg
Conversion of an existing warehouse into
new construction of Phase I - Main
Gallery, Phase II - Library, Lobby, Shop
and Offices, and Phase III - Community
Room, Library and Storage Expansion.
Museum of Fine Arts, St. Petersburg
New galleries and administration, storage,
and library additions to create a new
second floor
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MUSEUM/CULTURAL CENTER/FINE ARTS DESIGN EXPERIENCE
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Great Explorations Hands On Children's
Museum, St. Petersburg
Conversion of former sporting goods store
to an interactive museum designed for
children
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Tampa Bay Performing Arts Center, Tampa
Continuing theater, acoustical and
architectural consultation concerning
renovations and improvements to an
existing ten year old four theater complex.
Completed projects include architectural
and acoustical studies for conversion of
the 1,000 seat Playhouse into a 1,300
seat Symphonic Hall with new raised floor
and acoustical improvements, Carol
Morsani Hall stage replacement, office
and exterior renovations and other long-
range studies.
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Largo Multi-Use Conference
Center/Theatre, Largo
Multi-purpose facility with stage, versatile
retractable seating to allow for a 200-
person banquet facility, four
meeting/lecture rooms which could
function simultaneously, a catering
kitchen, concession stand, ticket offices,
an audio/visual control room, dressing
rooms and an outdoor amphitheatre with
pedestrian plazas, fountains and sculpture
garden which could be visible to several
thousand people for a performance
outside.
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Marina Civic Center Theatre/Auditorium,
Panama City
Conversion of civic auditorium to a 2,500-
seat performing arts/conference facility
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Pinellas County School Board
Administration Building, Largo
Board Room/District Training Facility
Divisible into four spaces, video
recording/broadcast facility with complete
A/V control room, and separate television
production studio and control room
Seminole Library Community Center,
Seminole
300-seat multi-purpose facility to allow
group meeting functions to act
independently or in conjunction with
library functions, divisible into three
spaces, AN control room
All Children's Hospital
Education/Conference Center, St.
Petersburg
500-seat multi-purpose facility and 6
training rooms, staff offices, storage, AN
control and audio/video recording and
transmitting facilities, non-working stage,
satellite links
Sudakoff Lecture and Conference Center,
New College of USF at Sarasota
750-seat multi-purpose facility, divisible
into 5 separate meeting rooms, plus
separate conference rooms, office,
storage and catering facilities
St. Joseph's Hospital Conference Center,
Tampa
700-seat multi-purpose facility, divisible
into 4 separate meeting spaces, plus
storage, catering, AN control and
audio/video recording and transmitting
facilities
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MUSEUM/CULTURAL CENTER/FINE ARTS DESIGN EXPERIENCE
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Caples Fine Arts Center, University of
South Florida/New College Campus,
Sarasota
260 fixed-seat lecture/recital hall,
gallery/lobby and related facilities
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Faith United Presbyterian Church,
Seminole
Multi-purpose Education and Fellowship
Hall, divisible into 7 separate meeting
spaces, 2 dressing rooms, non-working
stage, full kitchen and AN control room
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Bininger Center for the Performing Arts,
Eckerd College Campus - St. Petersburg
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Roberts Music Center, Eckerd College
Campus - St. Petersburg
Designed
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Florida Gulf Coast Art Center, Belleair
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P. Buckley Moss Gallery & Etching Studio,
St. Petersburg
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Samuel P. Ham Museum Competition,
University of Florida - Gainesville
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FIRM PROFilE
Robert A.M. Stern Architects
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Legal Name:
Years in Business:
Robert A.M. Stern Architects
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Officers:
Robert A.M. Stern, Senior Partner
Robert S. Buford, Managing Partner
Roger H. Seifter, Partner
Paul L. Whalen, Partner
Graham S. Wyatt, Partner
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Staff Size: 135
By Classification: 25 Architects
72 Draftsmen
7 Interior Designers
2 Landscape Architects
2 Researchers
13 Model Builders
14 Administrative
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Robert A.M. Stern is a 135-person partnership of architects, landscape architects, interior
designers and supporting staff. Over its 28-year history, the firm has established an
international reputation as a leading design firm with wide experience in residential, commercial,
and institutional work, including projects in Europe, Asia and throughout the United States. The
firm maintains an attention to detail and commitment to design quality which has earned
international recognition, numerous awards and citations for design excellence, including
National Honor Awards of the American Institute of Architects, and a lengthening list of repeat
clients. Recently completed projects include the Norman Rockwell Museum in Stockbridge, MA;
Ohrstrom Library, St. Paul's School, Concord, NH; the Center for Jewish Life, Princeton
University; EuroDisney, Marne-La-Valh~e, France; the Disney Feature Animation Building,
Burbank, CA; the Brooklyn Law School Tower, Brooklyn, NY; the William Gates Computer
Science Building, Stanford University, Palo Alto, CA; the Disney Boardwalk Resort, Orlando, FL;
and the new town of Celebration, Florida.
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ROBERT A.M. STERN, FAIA
Senior Partner
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YEARS EXPERIENCE
Total Years Experience: 32
With RAMSA: 29
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EDUCA TION
Bachelor of Architecture, 1960,
Columbia University
Master of Arch., 1965, Yale Univ.
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REGISTRA TION
State of New York #011 31 8-1
State of Florida #0010545
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PROFESSIONAL EXPERIENCE
Robert A.M. Stern is a practicing
architect, teacher and writer. Mr.
Stern, founder and Senior Partner in
the firm of Robert A.M. Stern
Architects, is a Fellow of the
American Institute of Architects and
received the Medal of Honor of its
New York Chapter in 1984.
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A professor at the Graduate School of
Architecture, Planning, and Preser-
vation at Columbia University and
presently Director of the Historic
Preservation Department, Mr. Stern
served from 1 984 to 1 988 as the first
director of Columbia's Temple Hoyne
Buell Center for the Study of Ameri-
can Architecture. He has lectured
extensively in the United States and
abroad on both historical and
contemporary topics in architecture.
He is the author of several books,
including New Directions in American
Architecture (Braziller, 1969; revised
edition, 1977); George Howe: Toward
a Modern American Architecture (Yale
University Press, 1975); and Modern
Classicism (London: Thames &
Hudson; NY: Rizzoli, 1988). Mr.
Stern's particular interest and
experience in the development of New
York City's architecture and urbanism
can be seen in his books, New York
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1900, (Rizzoli, 1983) coauthored with John
Assengale and Gregory Gilmartin, New York 1930,
(Rizzoli, 1987) co-authored with Thomas Mellins
and Gregory Gilmartin, and New York 1960,
(Monacelli, 1995) coauthored with Thomas Mellins
and David Fishman.
Eight books on Mr. Stern's work have been
published: Robert Stern, edited by David Dunster,
with an introduction by Vincent Scully (London,
Academy Editions, 1981); Robert A.M. Stern
Buildings and Projects 1965-1980, edited by Peter
Arnell and Ted Bickford (NY, Rizzoli, 1981);
Robert A.M. Stern: Buildings and Projects 1981-
1985, edited by Luis F. Rueda (NY, Rizzoli, 1986);
Robert A.M. Stern: Modernita Tradizione, edited
by Lucia Funari (Rome: Edizioni Kappa, 1990),
with an introduction by Paolo Portoghesi; The
American Houses of Robert A.M. Stern, with an
introduction by Clive Aslet (NY: Rizzoli, 1991);
Architectural Monographs no. 17, Robert A.M.
Stern: Selected Works, (London: Academy
Editions, NY: St. Martins Press, 1991); Robert
A.M. Stern: Buildings and Projects 1987-1992,
edited by Elizabeth Kraft (NY: Rizzoli, 1992) with
an introduction by Vincent Scully; and Robert
A.M. Stern: Buildings (NY: Monacelli, 1996) and
Robert A.M. Stern: Houses (NY: Monacelli, 1997).
Mr. Stern's work has been exhibited at numerous
galleries and universities and is in the permanent
collections of the Museum of Modern Art, the
Metropolitan Museum of Art, the Deutsches
Architekturmuseum, the Denver Museum of Art,
and the Art Institute of Chicago. In 1982, Mr.
Stern was the subject of a one-man exhibition at
the Neuberger Museum of the State University of
New York at Purchase. In 1980 he designed the
section devoted to the 1970's in the Forum
Design Exhibition held in Linz, Austria. In 1976,
1980, and 1996, he was among the architects
selected to represent the United States at the
Venice Biennale. In 1986 Mr. Stern hosted "Pride
of Place: Building the American Dream," an 8-
part, 8-hour documentary television series aired on
the PBS. He serves on the Board of Directors of
the Walt Disney Co.
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ALEXANDER P. LAMIS, AlA
Associate Partner
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YEARS EXPERIENCE
Total Years Experience: 15
With RAMSA: 15
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REGISTRA TION
State of New York
License # 019600 (1988)
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EDUCA TION
Bachelor of Science, Massachusetts
Institute of Technology
Master of Architecture, Graduate
School of Architecture and Planning,
Columbia University
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AFFILlA TIONS
American Institute of Architects
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PROFESSIONAL EXPERIENCE
Alexander P. Lamis joined Robert A.M. Stern
Architects in 1983. He has acted as Architect-in-
Charge for varied institutional, commercial, and
residential projects in the U.S. and Europe.
Recent projects include:
Bangor Public Library, Bangor, Maine
William Gates Computer Science Building at
Stanford University, Palo Alto, CA
Broadway Residence Hall for Columbia University
Princeton University Center for Jewish Life,
Princeton, NJ
He has designed several projects for the Walt
Disney Company, including:
Disney's Yacht and Beach Club, Orlando, Florida,
Hotel Cheyenne and Newport Bay Club
Convention Center, EuroDisneyland
Interiors for the new studios for Disney Feature
Animation in Burbank, CA
He is currently working with the University of
Maine in planning the future of their principal
campus library, the Fogler Library.
Mr. Lamis' work has been published in the New
York Times, Architecture, Architectural Record,
Progressive Architecture, Interiors, and several
foreign journals. He has lectured at the New York
Chapter of the American Institute of Architects,
and has been invited to serve on juries at
Columbia University, the City University of New
York, and the New Jersey Institute of Technology.
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LIBRARY DESIGN EXPERIENCE
Robert A.M. Stern Architects
EAST HAMPTON LIBRARY
East Hampton, New York
Completion Date:
Project Size:
Project Cost:
Lead Architect:
Library Address:
1997
11,000 GSF Existing and 6,430 GSF New
$1,500,000
Robert A.M. Stern Architects
159 Main Street, East Hampton, NY 14937
BANGOR PUBLIC LIBRARY
Bangor, Maine
Completion Date:
Size of Project:
Project Cost:
Lead Architect:
Library Address:
January, 1998
67,000 GSF
$8,500,000
Robert A.M. Stern Architects
145 Harlow Street, Bangor, ME 0441-4900
OHSTROM LIBRARY
St. Paul's School, Concord, New Hampshire
Completion Date:
Size of Project:
Project Cost:
Lead Architect:
Library Address:
1991
32,000 GSF
$7,800,000
Robert A.M. Stern Architects
Ohrstrom Library, St. Paul's School, Concord, MA
DENVER PUBLIC LIBRARY COMPETITION
Denver, Colorado
Completion Date:
Size of Project:
Project Cost:
Lead Architect:
Library Address:
Unbuilt
436,000 GSF New/1 00,000 GSF renovation
$64,000,000 Budget
Robert A.M. Stern Architects
Denver Public Library - Central Library
1357 Broadway, Denver, CO 80203
03301
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LIBRARY DESIGN EXPERIENCE
Page 2
THE COLGATE DARDEN SCHOOL OF BUSINESS
University of Virginia
Charlottesville, Virginia
Date of Completion:
Size of Project:
Project Cost:
Lead Architect:
Library Address:
1996
200,000 GSF
$25,500,000
Robert A.M. Stern Architects
The Colgate Darden School of Business
University of Virginia
Charlottesville, VA 22903
BROOKLYN SCHOOL OF LAW TOWER
Brooklyn, New York
Date of Completion:
Size of Project:
Project Cost:
Lead Architect:
Library Address:
1994
90,000 sq. ft. new construction
60,000 sq. ft. renovation
$25,000,000
Robert A.M. Stern Architects
Brooklyn Law School, 250 Joralemon Street
Brooklyn, NY 11201
WILLIAM GATES COMPUTER SCIENCE BUILDING
Stanford University, Palo Alto, California
Date of Completion:
Size of Project:
Projects Cost:
Lead Architect:
Library Address:
1996
150,000 sq. ft.
$26,000,000
Robert A.M. Stern Architects
855 Serra Street, 2nd Floor, Stanford University
Stanford, CA 94305-6114
FOGLER LIBRARY, UNIVERSITY OF MAINE
Orono, Maine
Date of Completion:
Size of Project:
Lead Architect:
Library Address:
1997
Planning Study for 1,000,000 volume library
Robert A.M. Stern Architects
University of Maine, 5765 Service Building
Orono, Maine 04469-5765
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URBAN PLANNING EXPERIENCE
Robert A.M. Stern Architects
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42nd Street Now!
New York, NY
1992-
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Our task on this urban redevelopment project was to work with the New York State Urban
Development Corporation, the City of New York, and the Developer to develop an Interim Plan
and Guidelines to create a new image for four sites at the intersection of 42nd Street and Times
Square and for the rest of the street extending to 8th Avenue, bringing back to life what was
once the most famous entertainment street in the world.
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Our office's role was to analyze the relevant trends, characteristics and use patterns of the
area, to tie these into an historical analysis, and then to develop a series of opportunities and
constraints, and project goals, principles and program elements.
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The result of our efforts will be a lively street of signs and lights, of exciting new technologies
with historic buildings, a street that lives up to the best of its worldwide reputation but that still
looks like a real New York City street that evolved naturally.
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Celebration
Celebration, Florida
1987 - 1997
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Located outside of Orlando, Florida, Celebration will, in its full build-out, be a town
encompassing 4,900 acres and about 20,000 residents. This office's role, working in
partnership with Cooper Robertson and Partners and the developer, the Celebration Company,
is to develop the Full Build-Out master plan. Completed to date is a First Phase Village
incorporating a Downtown and approximately 500 houses and apartments.
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Taking cues from traditional towns, the Downtown is focused on a new lake that overlooks the
existing wooded wetlands, creating an intimate relationship between town and nature.
Residential neighborhoods radiate out from this center in a warped grid plan that allows for easy
visitor orientation while creating picturesque views down curved streets.
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This office's responsibilities also include the detailed architectural design of the Downtown,
incorporating 123 apartments and 150,000 square feet of retail, entertainment, and office
space.
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URBAN PLANNING EXPERIENCE
Page Two
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Grand Hotel and Villas
Heiligendamm, Germany
1996 -
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Germany's most historic seaside resort, Heiligendamm, is located in the eastern part of the
country on the coast of the Baltic Sea, approximately 200 kilometers north of Berlin and 200
kilometers northeast of Hamburg. Our assignment includes the restoration and adaptive reuse
of the historic villas and hotels as well as the development of a new town on 105 hectares.
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Tuxedo Reserve
Tuxedo, New York
1997 -
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This office is providing master planning services and architectural guidelines for the new
community of Tuxedo Reserve at Tuxedo, New York, for the Related Companies, and will
continue to be the master architect for the plan's 20-year build-out.
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We are committed to the formation of a community composed of a series of neighborhoods
grouped around public amenities such as neighborhood greens, recreation facilities, community
facilities and commercial buildings. A small hamlet with tree-lined streets, community parks,
mixed use and civic buildings will create a strong center for what we plan to be a community
rather than just a collection of houses. An integral part of our work is the determination of an
appropriate architectural character for the community.
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Police Building
Pasadena, California
1990
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The police building is the first major addition to Pasadena's Civic Center to be undertaken in
twenty years. Although the building is one in which security is paramount, the appearance of
an armed fortress is carefully avoided: the Police Building expresses civic grandeur while
maintaining a welcoming, public image.
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MUSEUM/CULTURAL CENTER/FINE ARTS DESIGN EXPERIENCE
Robert A.M. Stern Architects
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Norman Rockwell Museum
Stockbridge, Massachusetts
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Conceived not only as a repository for works of art but also as a representation of the artist's
view of the world, the Museum is a representation of small-town New England public life with
a classically inspired building approached across a village green. When Rockwell died in 1978,
he left his archives and a considerable collection of his original art to be displayed in a small
historic house. When the house outgrew the number of visitors it engendered, we were
commissioned to build a house-museum a few miles out of town to contain a suite of galleries,
classrooms, curatorial areas and a library.
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Hobby Center for the Performing Arts
Houston, Texas
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This project was a privately funded performing arts complex comprising a 2,700-seat musical
theatre, a 500-seat community proscenium theatre, a performing arts school, and a 200-car
parking garage. The music hall complex will be home to two resident companies: PACE, a
national touring musical theatre company, and Theatre Under the Stars, a Houston-based
musical theatre organization that also runs a performing arts school.
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42nd Street Theatres
New York, New York
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The reuse of existing theaters on 42nd Street between Times Square and Eighth Avenue is the
subject of a feasibility study sponsored by the New York State Urban Development
Corporation. The contiguous theatres - the Selwyn, the Lyric, the Times Square, and the
Apollo - represent four very different houses in terms of architectural character, staging
potential and seating capacity. While the general goal of the study was to encourage the
return of all four theatres - most of which have been in use as cinemas since the 1930s - to
live or media-oriented performance, the study also included a proposal for the incorporation of
retail and theatre-oriented commercial space in and around the theatre buildings. This would
allow the performance aspect of the entertainment district to be reinforced by appropriately
related uses.
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Roger Tory Peterson Institute
Jamestown, New York
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A center for the study of natural history, this Institute was built to serve visiting scholars,
educators, and small groups from the public at large. The first phase of a projected three-stage
plan consists of a public gallery for wildlife art, an archive for the preservation of wildlife art
and rare books on the natural sciences, a library, meeting and conference rooms, and offices.
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MUSEUM/CULTURAL CENTER/FINE ARTS DESIGN EXPERIENCE
Page Two
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National Storytelling Center
Jonesborough, Tennessee
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The National Storytellers Association is synonymous with its home in Jonesborough, a well-
preserved historic town and the oldest in Tennessee. At full build-out the Center will be fully
integrated with the town, occupying various existing buildings on Main Street. The Center is
dedicated to the preservation and promulgation of the oral tradition of storytelling. The first
phase building, located at the edge of the most urban stretch of Main Street, together with the
historic Chester Inn, will define a plaza that will be the principal outdoor focus of the Center.
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The institute will be realized in stages, eventually to contain a broad range of educational,
research and entertainment facilities. The Chester Inn will house offices, meeting rooms and
a bookstore. A tower marks the fulcrum of the building and becomes an icon for the center.
The casual painted wooden shingle and metal roof of the Chester Inn give the Center its
primary architectural cues. These, combined with some of the classicism of Jonesborough's
more civic buildings, results in a structure at home with the folksy traditions of storytelling but
with a demeanor and presence that will make it a respect addition to the delicate fabric of this
historic town.
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Fine Arts Building
University of California at Irvine
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Studio IV is the gateway to the Fine Arts Village, a once obscure part of the UC sprawling
campus made suddenly prominent by a change in the university's master plan. Using light-
frame and industrial building techniques, the new structure provides as much open loft space
as possible within a limited budget. Sheltering tile roofs, easy communication between indoors
and out, and a gentle Classicism of detail were intended to begin a process of formal
romanticism that would transform the Fine Arts Village from a collection of impersonal,
artistically mute buildings frozen in the 1970s into something more deeply embedded in the
optimistic vision of climate, place and tradition that typifies much of the best Southern
California architecture.
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Disney Feature Animation Building
Burbank, California
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Tired of the chaos of doing animation for Disney in seven separate warehouses in Glendale in
the late 1980s, the animators put pressure on the heads of Disney - Michael Eisner and Frank
Wells - to build a new Animation Building or they were going to move into a local high-rise
office building. A 240,000-square-foot building that houses over 700 employees was built,
not on the studio lot but across the street from it. Like the Casting Center in Orlando, the
Animation Building represents Disney in a highly public place.
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The new building has a diagonal marquee-like entrance which leads under a superscale
representation of Mickey Mouse's Sorcerer's Apprentice Hat from Fantasia. Inside floors are
interconnected by a centrally located grand stair, and each has a "main street" on the south
fa<;ade of the building.
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City of Clearwater Public Library - Response to Questions
1. How could you help finalize site selection?
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The selection of Clearwater's new main library site is the first and one of the most
important decisions that must be made. Harvard Jolly Clees Toppe Architects has
successfully conducted site selections with many municipal clients, including the
cities of Lake Wales, New Port Richey and Gulfport. Robert AM. Stern Architects
have a rich history of urban master planning including 42nd Street in New York City
and the master planning of the town of Celebration, Florida. They are currently in
discussion with the City of Tampa for the development of a new downtown master
plan.
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The new main library is a crucial part of Clearwater's downtown redevelopment
effort; the proper location and siting will benefit both the library and be a catalyst for
City Center and the Cleveland Street corridor. The site decision will naturally lead
toward many other choices made by members of the City team as they consider the
development of City Center and by the Library staff as they work with their Architect
to develop an aesthetically pleasing and functional library in the heart of the city.
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While there are compelling reasons to consider the library as a civic complex, it is
important when selecting the site that the library not be remote from the life of the
street, isolated as a sole-source destination. For a library to help to re-energize a
downtown, people must get out of their cars and walk a bit because street life is what
makes cities successful. Utban libraries should embrace streets, not be floating in a
sea of parking. However, parking should be convenient, but discreet. One public
entrance is essential from a security perspective, but more importantly, it should be a
truly public expression of the civic pride taken in a library.
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As part of our process to help narrow the
site selection, we have developed a
method which utilizes a matrix chart.
This matrix includes factors such as
availability of public transportation,
utilities, topography, size and proportion
of the site, access, relationship to other
community facilities, future expansion
potential, vegetation, ownership of the
site, and other significant items of
importance to both the City and the
Library.
The matrix uses a weighted scale by
which to evaluate all of the options and
set criteria to determine which one site
best suits the needs of the Clearwater
Library. As there are many interrelated
. issues in a decision of this magnitude, the
weighting allows the various factors to be
objectively evaluated while recognizing
the varying degrees of importance of
decisions. For example, convenient
access of the library to public
transportation lines may be a more
important factor than land ownership.
Some factors are more critical than
others, and those that are the most
important should be identified by the City
and Library staffs as we develop the
matrix together.
Often, we will provide site studies that
will show how a building can be sited
within a specific site. This is of extreme
importance. It will help the team
evaluate parlcing, retention, the building
footprint as well as future expansion and
how the Library supports the overall
redevelopment of City Center.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
2. How would you involve the community and library staff in the design of the Library?
Both Robert A.M. Stem and Harvard Jolly Clees Toppe have vast experience in
community involvement through all of our public projects. We begin our design
effort with an intensive programming or program verification study in which we
distribute detailed questionnaires to both Library staff, the Library Board, patrons,
and other user groups.
We use these questionnaires as the basis for a series of focus group meetings designed
to build consensus. During these focus group meetings, we begin discussion of the
site planning process and proceed all the way through to floor planning issues
involving aesthetic decisions as well as [me-tuning those details.
We solicit a wide range of inputs and are experienced in sorting through these to
distill a workable and financially responsible program, culminating in a successful
design. All of this effort up front builds consensus among the participants and results
in a project that is truly a community project.
We then begin our schematic design, which is again reviewed by both staff and
designated community representatives and, where necessary, modified to take their
ideas into account. We do everything possible to develop a broad-based consensus in
the early stages of the design, opening a dialogue with each of the stakeholders in the
library. We then continue these dialogues through the design and approvals process.
A recent example is Harvard Jolly's new Dunedin Library. Five community meetings
were held focusing on:
Program and Needs Assessment
Site Selection and Design
Building Functions
Library Aesthetics
Community Oven'iew and Consensus
More than 500 people attended, including Library staff, City staff, elected officials
and friends.
. Mt
, Iv':n:',"':::.::...
Library feature broadcast
"Spotlight on Dunedin Library"
Video image of Dunedin Library meeting
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
3. Describe how your team has worked together on other library projects.
Both Robert AM. Stem Architects and
Hatvard Jolly Clees Toppe Architects are
experienced and successful designers of
libraries. Both finns routinely use
collaborations with architectural teams to
create successful projects. Harvard Jolly
designed the University of South Florida
Sarasota Campus Library in association
with The Architects Collaborative and
has often associated with specialists.
Robert AM. Stem Architects are not only
an internationally recognized firm with
significant awards and citations for
design excellence, but they have
extensive experience in library design.
Although we have not worked together in
the past, we have both had opportunities
in collaboration with other architectural
firms with great success.
For the Clearwater Library project,
Harvard Jolly Clees Toppe Architects
will be the prime architect contracting
with the City. Robert AM. Stem
Architects will be design partners to
Harvard Jolly.
The engineering team members have all
worked with Harvard Jolly on successful
major projects throughout Florida. With
Robert AM. Stem's international
experience and Harvard Jolly's extensive
Florida library expertise, this will be a
successful collaboration that will result in
the best library and a signature building
for the City of Clearwater.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
4. Describe your most successful library projects.
Both Harvard Jolly Clees Toppe Architects and Robert AM. Stem Architects are
experienced and successful designers of libraries.
One of Robert AM. Stem's most successful designs was the recently opened Bangor
Public Library. Stem thoroughly modernized and provided a substantial addition to a
beloved downtown institution. The complex renovation included the removal of four
levels of self-supporting closed stacks and their replacement by new open-stack
floors. It also involved designing a new addition, providing access to the disabled, a
new and enlarged children's division, and generous new reading rooms and stack
areas. For the first time in 80 years, patrons have the ability to browse at leisure
through the library's impressive 500,OOO-volume collection. An already busy library
has seen its usage doubled. It also has succeeded as an institutional anchor, bringing
more people downtown, and has become a catalyst for future development.
Although every client that Harvard Jolly
has dealt with has told us that the library
we designed for them was our most
successful, we offer the following
examples. Each responded to a very
unique library client need.
Robert AM. Stem Architects
The new Temple Terrace Library doubled
the size of an existing facility and created
a completely new aesthetic treatment for
the interior and exterior of the building in
keeping with Temple Terrace's desire to
create a Mediterranean revival style of
community architecture for all public
buildings. The new building features a
sloped barrel tile roof, arched arcades and
generous use of windows and daylighting
to create a bright and modem building
which is fully within the context of the
Mediterranean revival style of Temple
Terrace.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
4. Describe your most successfullibrary projects. (Continued)
The new Mirror Lake Library is a similar i
expansion of an existing building; in this
case, the historic, National Register
Carnegie library which was built in 1917.
Harvard Jolly's 1997 addition replaces a
substantially smaller addition designed in
the 1960sby WilliamB. Harvard, Sr., the
founder of our fIrm. Mr. Harvard's
solution was a low-slung, modem
building hidden behind berms.
A third example, which also illustrates Harvard Jolly's success at contexturally
appropriate design. is the USF Sarasota Campus Library designed in association with
The Architects Collaborative as design and master plan consultants. This library is
located on a triangle of land across heavily traveled U.S. Highway 41 from the
modem New College campus designed by noted architect I. M. PeL On the opposite
end of the campus are the historic mansions built by John Ringling and his family in
Mediterranean style. The challenge of the Sarasota Campus Library was to provide a
modem interpretation that would blend the clean lines and strong architectural forms
of I. M. Pei' s work with the soft and traditional Mediterranean forms of the Ringling
buildings. This was achieved through the use of sloped, barrel tile roofs, light
monitors that flood the interior with north daylight, arched arcades that provide cover
from Florida's hot and rainy weather, and a beautifully landscaped courtyard with a
fountain. The courtyard has become the student gathering place, uniting all of the
students on campus, whether they're enrolled in New College or the University of
South Florida. The two-story building was designed with a master plan over 100,000
square feet; 77,000 square feet was built in the initial phase.
HJCf Architects
The .1997 addition was a substantially
larger replacement for the earlier
addition. It is a modem interpretation of
the architecture of the original Carnegie
library, including recreated precast
concrete, decorative elements, tall
windows, dark-stained wood interior
millwork and trim, and a very traditional
style of interior decor. The design
provides the very same modem
technology as in all other contemporary
libraries in St. Petersburg. Harvard
Jolly's current solution at Mirror Lake
was recognized with an award from the
American Institute of Architects Pinellas
Section and St. Petersburg Preservation,
Inc.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
5. Describe your most challenging library project and its resolution.
HJCT An:hitects wfTAC
The project actually consisted of three
separate components, all designed
concurrently. The Sarasota Campus
Library and the U.S. 41 Pedestrian Bridge
were designed by mCT in association
with The Architects Collaborative, and
the SudakoffLecture/Conference Center
was designed by Harvard Jolly. Sudakoff
Center is a clean, modem building whose
design and color scheme complements
the I. M. Pei style of architecture of the
New College campus. An arched
entrance portico introduces to the I. M.
Pei campus the traditional archways of
Mediterranean architecture. The U.S. 41
bridge crosses over a man-made berm
created by Harvard Jolly and was
designed to be a low-slung contemporary
structure with minimal mass roofed by a
trellis-work covered in vines. The
Sarasota Campus Library itself, as noted
above, blends the traditional
Mediterranean style with the modem.
Mediterranean colors were used inside
the library as on its exterior faces to bring
the outdoors in and allow the building to
work as a whole.
In addition to being one of our most
successful projects, the USF Sarasota
Library was also one of the most
challenging.
Many of Robert A.M. Stem Architects' projects, both libraries as well as other
building types, present unique and interesting challenges. One of the most
challenging projects, though not a library, was the animation studio for Walt Disney
Company in Burbank, California,. This project presented technological challenges we
consider relevant to those in modem libraries.
In this building, over 600 artists and other staff create animated features like Hercules.
Pocahontas. Lion KinJt and Beauty and the Beast. The project included organizing
the 26 departments of the animation division, from pre-production to figure
animation, painting, editing and camera work, while simultaneously integrating over
$30 million in computers and cabling alone. The client artists were very demanding
about quality of their work environments. The technology involved in film
production is evolving rapidly. This type of information-based work environment can
teach many lessons applicable to forward-thinking public libraries.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
6. Discuss how you plan for low maintenance in your work.
Hanrard Jolly's practice over the past 60 years has almost exclusively served public
and not-for-profit clients. As a result of this experience and the fact that we have
enjoyed very long-term relationships with our clients - in many cases going back 20,
30, even 45 years - we have learned to live with our buildings as our clients have
lived with our buildings. We strongly believe in the following concepts:
· We will evaluate the use oflow-maintenance materials appropriate to Florida's
hot, rainy, humid climate both inside and out.
· Take a long-term view of life cycle materials costs.
· Avoid "Bleeding Edge" technology - select proven technology of high quality to i
avoid costly mistakes.
· Standardize components to the extent possible within buildings.
· We will strive to minimize the use of highly labor-intensive products.
· SimplifY maintenance through the design of on-the-ground, on-the-floor heating,
ventilating and air conditioning equipment.
· Consider timers and motion sensors for economy and convenience.
· Use lighting fixtures that are accessible from the ground for maintenance
purposes.
· Limit the number of types of lamps used throughout the building.
· Locate filters where they can be accessed and changed without ladders.
· Have staff involved in the design of all major systems.
· We will provide an operations manual prepared by all suppliers that speaks to the
proper operation and maintenance of all building systems and building materials
to help you get the most mileage possible.
Robert A.M. Stem Architects
As important as physical maintenance is,
the true cost of owning and operating a
public building such as the library rests
with the staff required to operate it. Our
! team strongly believes that in order to
I succeed, a library design must be staff-
. efficient. This requires careful study and
understanding of the library's goals
I regarding patron service, providing
proper relationships between library
functions, such as the circulation desk,
reference desk and workrooms, and
i strong visual control of the building. It is
i important for staff members - on
occasion - to be able to double up and
provide backup to each other. During
periods of low patron utilization, a
. minimum staff can still safely and
securely operate the building.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
7. What do you do when a project's bids come in over budget?
Although Harvard Jolly's library project budget vs. bid record is exemplary, there are
times - due to market conditions, industry inflation or competition within a
geographic area - that a project may exceed its budget. We endeavor strongly and
aggressively to prevent this from happening in the following ways.
Based on our knowledge of library costs from prior projects, we develop a detailed
project budget at the conceptual phase when library design and planning is evolving.
This allows us to test the owner's budget against the owner's requests for square
footage and technical facilities. We often produce bidding documents with a series of
additive alternates, so the library has the flexibility to include higher quality elements
should the budget allow. In short, we make every effort during the design phases to
create a project that meets project parameters with the client involved at each step in
the process.
Advanced Value Engineering
LIBRARY COST PER SQUARE FOOT
As the project continues through the design process, we monitor and update our
estimates periodically. As the project approaches the bid period, we identify those
non-essential amenities that might be bid as additive alternates. This process helps to
assure that the library base bid will be within or below budget and that options that
may be desired can be added in immediately if funds permit Examples of these - all
of which were accepted because the base bids came in under budget - include drive-
through dropoff portecocheres, light monitors or skylights, and additional interior
finishes and built -in equipment and furnishings.
$140
$90
$SO
. New
CO""truction
. Addition I
Renovations
. ~==n
If, despite our collective best efforts, the
bids for the project should be above the
budget,. we work with the Library and
their agents as a team to identify what can
be done to reconcile the budget in a way
that maintains the greatest utility and
quality for the Library. This is usually
best done through a negotiation with the
prospective general contractor.
$130
$120
$110
$100
$70
$60
$50
Costs halfe been adju$led for inflation.
We will have an independent professional
cost estimator on our team, and we urge
the library to retain a construction
manager so that at each design stage, two
i independent estimates can be taken, and
then reconciled. We have an excellent
track record in this process with over 30
Florida libraries.
$40
$311
$20
$10
$0
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
8. What do you see as Clearwater's signature?
The City of Clearwater has a long and rich history that includes many works of
significant architectural style.
Clearwater also has a clearly identified downtown core that was once vibTa1llt and will
become vibrant again as Clearwater realizes its dream of the new City Center.
The entrance to the new downtown core will act as a gateway to downtown
Clearwater and reinforce the community's desire to create a pedestrian scale
downtown area
This combination of respect for the past and planning for the future through the
creation of a vibrant new core will help to define the sense of place in Clearwater and
again create that signature which is a combination of respect for Clearwater~s history
and faith in Clearwater's future.
The examples of our team's work demonstrates our commitment to contextual design
and a respect for historic architecture.
Robert AM Stem Archite<ts
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern A~hitects
City of Clearwater Public Library - Response to Questions
9. Show examples of what makes your libraries functional, yet attractive.
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Robert AM. Stem AIcbitects
Robert AM. Stem Architects' recently completed Bangor Public Library in Maine
completely renovated the 1914 brick and stone neo-classical building. The addition
doubled the available stack space and opened the stacks to public use for the first
time. Enlargement of the reading rooms, the addition of a new children's library and
a new garden entry for direct access by the disabled increases the functionality of this
library. Enhancing its attractiveness was accomplished through repair and
replacement in kind of the historical windows, rebuilding of the sweeping granite
steps at the entry and the overall enlargement of space within the building for patrons'
use.
Stem's new Ohrstrom Library at S1.
Paul's School in Concord, New
Hampshire involved not only building a
new library but mediating the new
structure with the small scale of the
campus residential buildings and the
buttressed structure of the 1888 Gothic
masterpiece, the Chapel of S1. Peter and
S1. Paul. The nave-like plan allows entry
at the crossing that separates the stacks
from the specialized reading rooms,
making its layout extremely functional as
well as attractive. The Ohrstrom Library
also incorporates the most up-to-date
computerized information retrieval
technology into traditional reading rooms
as well as more intimately scaled niches
that provide for quiet individual or group
, study within each reach of the
. bookstacks. The library is spacious, yet
provides intimacy at the same time.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
9. Show examples of what makes your libraries functional, yet attractive. (Continued)
Harvard Jolly's USF Sarasota Library's
two-story entrance atrium allows the
visitor to walk in and clearly understand
the organiz:ltion of the library and
permits easy wayfinding and comfortable
use. The libraries in Temple Terrace and
Seminole as well as the Sarasota Library
use skylights, light monitors and large
areas of glass to :flood the interior with
controlled natural daylight This provides
not only a lovely and comfortable
environment for the reader but, more
importantly, the possibility of operating
the building with minimal electric
lighting during the daytime hours.
HJCf An:hilects wI TAC
Open planning is another hallmaIk of our team's library designs which provides clear
visibility and ease of supervision of staff as noted above which also results in a broad
and spacious building, a user-friendly layout and an extremely efficient utilization of
every available square foot of space. Through careful integration of structural design,
building bays are designed to the module of library shelving ranges so that any bay in
the building can accommodate shelf ranges in the future as well as other functional
uses such as reference areas and reading areas. The ability to make changes to the use
of the facility without requiring structural modification is critical because this allows
the library to expand in place internally and to change functions as library needs,
! community desires and technologies change.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
10. How do you design to take into consideration Florida's weather (hot sun, hurricane, rainy season, etc.)?
Unlike many other architects, we do not
feel that "one style fits all." We cherish
regional differences and local
particularities in response to design,
where local climates, history and culture
become principal determinants in the
development of our architectural designs.
As architects who have grown up in
Florida, we are clearly aware of the
vagaries of Florida weather patterns. The
signatures of Florida - high heat, high
humidity and drenching rain - are
contrasted by the majority of the days in
Florida where we enjoy clear skies,
gentle breezes and pleasant outdoor days
and evenings. Our library designs
incorporate features that provide
protection from the rain, such as covered
dropoffs, broad overhangs over windows,
north-facing skylights to admit daylight
but not direct sun, proper mechanical
systems designed to control humidity as
well as temperature, and the creation of
outdoor spaces such as courtyards, patios
and arcades which encourage the users to
enjoy the library and to enjoy Florida's
environment to the greatest extent
possible.
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Robert AM. Stem Architects
Robert AM. Stem Architects builds throughout the United States and the world.
They have also had the opportunity to complete many projects in Florida, having an
aggregate construction value of several hundred million dollars and are intimately
familiar with the particularities of working with the Florida climate.
Hanrard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
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City of Clearwater Public Library - Response to Questions
11. How do you insure that a building designed for today is planned for tomorrow (expansion, flexibility)?
We plan for tomorrow by starting today. These issues are addressed immediately in
the preliminaIy design stages.
Expansion: Most libraries will eventually need to expand, so this eventuality should
be planned. The site should be large enough to allow for expansion, and the layout
should be developed in such a way as to be expandable. Future expansion scenarios
should be included in preliminary design studies.
Wiring: Flexible and expandable wiring systems are a requirement of modem
libraries. Some large libraries, such as the Vancouver Public Library, have gone so
far as to provide raised floors throughout with wireways in the floor. This level of
flexibility is beyond the budget and need of most public libraries. More typical is a
regular grid of raceways in the floor which terminate in floor outlets. Wire
management systems in library furniture are coordinated with these floor outlets.
Every library will have zones that require more or less wiring so there can be
economies in identifying high-intensity, medium-intensity, and low-intensity
electronic usage zones.
Flexibility: Modular planning of stack and certain seating areas provides flexibility
and the ability to reconfigure areas as collections develop. We depart from some
planners in the belief that certain areas should be set aside for contained "reading
rooms" on the traditional model. We think the quality of the environment provided
by these spaces for the reader and library user is more valuable than providing total
flexibility everywhere - which yields uninspired and often unpleasant places for
patrons to sit and read a book.
All of our libraries are master planned with major expansion in mind Key issues
which affect the ability to expand include proper siting to allow physical expansion of
structures to take place without disruption of access to existing ongoing library
operations.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
11. How do you insure that a building designed for today is planned for tomorrow (expansion, flexibility)?
Examples of flexible planning include the
City of Seminole Library which was
designed to expand in two directions.
The USF Sarasota Campus Library was
master planned for more than 100,000
square feet and designed to expand on
two levels with internal expansion
initially achieved by removing non-load
bearing partitions and converting
classroom space into library space.
Physical expansion will be achieved by
removing non-load bearing exterior
walls.
Another key element of planning for the future involves incorporation of technology,
including provisions such as above-ceiling wireways, empty conduits and provisions
for future installation of cabling, assuring that today's library will be ready for
tomorrow's technological challenges. The only clear constant in library design today
is that technology changes more rapidly than any librarian or library architect can
foresee.
Therefore, it is essential that services and service entrances be provided for present
and future technology and that internal electrical/electronic distribution facilities be
provided to incorporate future technology, whether it be data, video or audio, fiber or
copper.
Flexibility is inherent in many of Harvard Jolly's newer municipal libraries so that the
lIbrary becomes a key choice for community gatherings after hours while not
distmbing the library itself. Multiple partitions in the 300-seat multi-purpose room at
the Seminole Library allow group meeting functions to act independently or in
conjunction with library functions. This type of after-hours feature would make the
library a more valuable addition to Clearwater's downtown development as a
municipal gathering place and has already worked very successfully at our libraries in
Plant City, Dunedin, Gulfport and Seminole.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
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City of Clearwater Public Library - Response to Questions
12. Address the challenges of traffic patterns, parking, book drops, drive-up windows, and one public entrance.
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All of our team's libraries are designed with each and every one of those challenging
functions in mind One public entrance is critical to provide a point of control and
security to the library. Each facility is designed with a vestibule entrance
immediately adjacent to the circulation desk to provide for that sort of control. Many
of our libraries include drive-up service windows located within the technical
processing work area so that staff can provide double-duty service as patron demand
requires.
Parlcing for all users, including the disabled, must be provided immediately adjacent
to the main entrance. Because of Florida's climate, we are strong believers in the
desirability of providing covered portecochere-type dropoffs that allow patrons,
particularly handicapped and elderly, to be delivered to the site and dropped offunder
cover at the main entrance.
All of our library designs incorporate the concept of a public entrance which also
provides after-hours use of community meeting facilities and similar public spaces
which might be used independently of the library.
It is also important that a downtown main library be UIban, not suburban in nature.
Urban libraries should embrace streets, not be floating in a sea of parking. Parking
should be convenient but discreet and, if possible, hidden. One public entrance is
essential from a security perspective but, more, it should be a truly public expression
of the civic pride taken in a library.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
13. Show some library enhancements you have designed as capital donor opportunities.
i Due to Harvard Jolly's depth of experience with libraries as well as other building
, types such as museums and cultural centers which are supported by donors to a very
great extent, Harvard Jolly has great expertise in the design of various types of don()T
recognition systems. Examples include brick pavers engraved with the names of
donors which have been used with extremely high levels of public acceptance and
success for libraries in Gulfport, Dunedin and Temple Terrace as well as the S1.
Petersburg Historical Museum and Largo Central Park.
Largo Central Patk also incorporated a donor-supported decorative fountain area
which included higher cost engraved brick tiles and pavers which included corporate
and personal logos and larger messages. The Largo Cultural Center included a
number of unique donor displays including engraved stars; backlit, illuminated glass
panels for recognition of major sponsors; and graphic indications of the names of
principal donors at certain rooms within the Center.
Donor recognition systems should be flexible enough to permit the addition of
significant donor names after the building is erected since it is always the hope of the
Friends of the Library that major donations will come forward either during
construction or following construction. It is therefore important that donor
recognition systems allow for appropriate recognition of future gifts.
Other examples of donor opportunities include physical items built into a project such
as the beautiful stained glass work of art donated to the Dunedin Library and the
naming of individual rooms such as the Mease Community Room at Dunedin, the
Tonne Theatre at Largo Cultural Center, the Raymond James Community Room at
the Salvador Dali Museum, and the naming of individual galleries at the Musemn of
Fine Arts in S1. Petersburg - all designed by Harvard Jolly.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
14. Show how you plan for customer/staff safety & security while providing an inviting, welcoming atmosphere.
The need for security need not conflict with the provision of a high-quality
environment The key to safe and secure design is also the key to functional library
design; that is, an open, inviting and flexible space flooded with natural daylight and
capable of easy supervision. Our libraries all incorporate these design features, such
as the circulation desk adjacent to the entrance with 360-degree supervision of the
entrance and outdoor courtyard entrance areas, the reading rooms, and the workrooms
which surround the circulation desk.
Other security features include interior/exterior lighting and the avoidance of
architectural barriers which create hiding places. The extensive use of glass within
the building provides views into not only workrooms and staff areas but also into
study carrels, meeting rooms and conference areas, so that all parts of the building are
easily supervised at all times.
Our view is that the best security measure is to build a libmIy that is so inviting, so
popular, so beloved, and so integrated with the life of downtown Clearwater that
people from all walks of life will use it and enjoy it as a haven of serenity and calm
and a meeting place - making it the "living room" of the community. The new library
will be the keystone of Clearwater's downtown city center and will elicit tremendous
civic pride in residents who truly believe in Clearwater's One City, One Future
concept.
Harvard Jolly Clees Tappe Architects with Robert A.M. Stern Architects
City of Clearwater Public Library - Response to Questions
Conclusion
The collaboration of Robert A.M. Stern Architects and Harvard Jolly Clees Toppe
Architects will provide Clearwater with the signature library which will be the
beginning of Clearwater's future City Center.
Harvard Jolly Clees Toppe Architects with Robert A.M. Stern Architects